Abstracting the West

In January I wrote a post about some pieces I was working on in response to an upcoming call for entry.  The pieces were finished before the end of 2015 but the call for entry didn't happen until spring.  I didn't want to say anything about these pieces until I knew if there were going to be restrictions about posting artwork that was accepted.  Happily, my work was accepted into the show and there are no restrictions, so I'm free to share.  

The Laramie Art Quilters group is hosting a show titled Abstracting the West.   The show will be on exhibit at the Wyoming Territorial Prison State Historic Site, which is part of the Wyoming State Parks system. The facility is best known for housing Butch Cassidy during his only stay behind bars. An historic treasure in Laramie, WY, the park welcomes over 29,000 visitors each summer. Their new exhibit hall will house Abstracting the West from July 1, 2016 until September 30, 2016.  The reception for this show will be on June 30th.

These three pieces came together so easily for me that I began to wonder if they lacked legitimacy.  It's funny how we can come to feel that "real" art only happens where there is a struggle involved.  I'm choosing to see this experience as an indication that this type of mixed media stitched work is what really makes my heart sing.  It is hard to tell from the photos, but there is more paper than fabric in these quilts.  

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Colorado: Harebell

42" x 30"

(sandstone, blue sky, sunsets, wildfires, India Paintbrush, purple mountains, wildflowers)

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Colorado: Aspen

42" x 30"

(Colorado forests of aspen and pine)

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Colorado: Columbine

42" x 30"

(columbine flowers, aspens and pines, mountain lakes, starry nights)

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Colorado: Aspen - detail

(In this detail image you can more clearly see the white organza applique that I used to create the focal images in all three pieces.)

Urban Rhythms Show

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Earlier this year I created this piece, titled All Dolled Up.  This is theoretically part of a series, the first of which is my piece Reflections.  I have in mind an ongoing series about feminism.  All Dolled Up explores the ways in which women feel obliged to remake themselves into perfect dolls in order to be "good enough" in a society that worships youth and has very narrow and unrealistic ideals of beauty.  The number 10 on one of the mannikins probably speaks for itself, but I thought I would explain that the other numbers on and around the other two mannikins are the first several numbers in the Fibonacci Sequence.  I'm no mathematician so I will just say that these numbers represent a ratio that is often seen in nature and is considered visually pleasing.

I'm a bit behind the 8 ball in sharing that this piece was,accepted into an art show being held at the Art Gallery at the DPAC and Backstage Coffee.  The venue is a nice cafe at the Denver Performing Arts Center, which is a really high profile venue for all the artists involved.  There are a lot of high quality pieces hanging in this show.  Between the great food at the cafe and the wonderful art on display I'd say it's very worth checking out!

Theme:  Urban Rhythm

Urban:  in, relating to, or characteristic of a city or town.

Rhythm:  Movement or variation characterized by the regular recurrence or alternation of different quantities or conditions.

The Art Gallery at the DPAC and Backstage Coffee is located at 1000 14th St. 1B-1, Colorado.  The show will hang from April 24th through July 10th, 2016.

Above & Beyond Exhibition

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I'm exited to announce that my piece "Reflection" was accepted into the SAQA Above & Beyone Exhibition which opens at the Lakewood Cultural Center on January 22nd.  The LCC Main Gallery is a really nice venue for an art show and I'm certain that the pieces on exhibit will be excellent.  This show is all about the vast variety of techniques and approaches that art quilters are taking with their work.  I submitted "Reflection" because the techniques include an image printed onto silk with my home computer and printer, unusual materials such as Lutradur and acrylic paint and fabrics that I had designed and either dyed or painted myself. This medium is so exciting and versatile, which is why I love it so much!

Inspired!

Not long after I took that workshop with Deborah Fell, I heard about an upcoming call for entry for a show that will take place in 2016.  I don't want to say too much about this because I'm not sure what the status of  this show is at the moment, but between the techniques I was using after the workshop and the call for entry, I was hugely inspired!  The "theme" I chose to interpret was my personal vision of Colorado.  There was a ton of leftover material from the workshop that I wanted to use, but in the end I had three large pieces in mind and had to make even more materials.  A surface design superstorm hit my studio when I got out the Gelli Plate, stencils, stamps, and any other mark making tool I could find.  When I thought I had enough collage material I painted some canvas and began collaging.  When everything was dry I cut the collaged canvas into 6 inch squares and combined the colors into the background for a quilt.  I forgot to take photos of the original canvases but I did take some of the second round. Here are some pictures of the uncut canvases and one of the backgrounds that I assembled.

I had 3 thermofax screens made & you can see all 3 image in this photo.

Mixed Media Collage

Last September I took a workshop with Deborah Fell.  The workshop was a blast, and while I'm not sure I learned anything new in terms of technique, I did seem to get a lot of inspiration and I came away feeling like I had "permission" to do some of the work I've always wanted to do.  At the workshop I got started on several different pieces, but no where near finished on any of them.  When I got home I continued to work with one piece in particular.  I mostly took apart what I had begun at the workshop and revamped the whole thing.  Something about this process really spoke to me and I completed this piece in record time.  I began with color washes on a piece of canvas.  Then I collaged papers and fabrics on top with glue.  These collage items were created in a frenzy of mark making and painting until I had two tons of materials that I began randomly tearing up.  So fun!  When I had a collage I was happy with I added batting and backing and began stitching.  There is more paper in this "quilt" than fabric, and quite a few layers in some places but I had no trouble stitching it.  I love everything about this process and I'm thrilled with the result, although not so thrilled with the photo, LOL!  Here is the final piece.

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BOP Abstract 2015

Published!

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I'm so excited to announce that my art quilt Gothic Ghost Tale has been published in the Sept/Oct 2015 issue of Somerset Studio Magazine!  This is my very first full fledged article.  Stampington did a lovely job with the photographs (as always).  They even mentioned my quilt on the cover!  Swoon!

2013: More catching up!

In April 2013 I took a workshop with the amazing Sue Benner .  The workshop was all about abstraction and we were asked to bring some examples of artwork from another artist we admired.  Sue showed us images of artwork done by past artists who had used artworks they admired as inspiration for further abstraction studies.  The artist I chose for my inspiration was Lynne Perrella.  This was my first workshop with the Front Range Contemporary Quilters and I was hugely intimidated by my fellow students and Sue herself.  In spite of that I had a wonderful time and learned more than I could have hoped to in a few short days.  At the end of the workshop I had two very incomplete pieces of art, but seeing as I would be jetting off to Connecticut three weeks later I was not able to continue working on these pieces when I got home. The workshop in CT with Lynne Perrella and Michelle Ward was one of the best things I have ever done and also left me with unfinished artwork.  I spent the summer working on those pieces and then along came the workshop with Katie Pasquini Masopust and more incomplete art.  Well, I'm happy to say that I have now finished all the artwork I started in these various workshops.  At the end of the Sue Benner workshop my first piece looked like this:

And now it looks like this:

The photo does not do it justice as you cannot really see the lovely sheen of the silks and the sparkly organzas.  My best friend made the little polymer clay faces for me and I just love them!  Wow, putting these photos together is an interesting instruction in photography!  Hmmm.......  

The second piece that I began at that workshop looked like this when I got home:

Sorry for the blurry and off color photo.  Knowing it was nowhere near finished, I did not put much effort into taking a good shot.  I was pretty excited by this piece as it was quite a departure from my usual stuff and I liked where it was going.  After practicing on other things to explore monoprinting and quilting options, I ended up with this:

One of the most important things I learned from the three workshops was that I tend to be much too literal.  I am now exploring ways to take things further and to expand on my original concepts.  Invaluable!  Each of the pieces I began in a workshop last year has led to other pieces of art and more ideas.  I learned new techniques and made friends and I can't wait to do it again in 2014.

Far Away Places - Finished!!!

I finally finished the pieces that I started at the Far Away Places workshop in May.  It took me a month and a half, but that's not too bad for three pieces of art.  At the workshop, Michelle advised us to COMMIT. Decide on one thing and commit to it, and the next step will follow.  When I got stuck working on these pieces I tried to follow her advise.  Truthfully, on the project above, I felt like I didn't have a clue and was going to screw it up anyway, so I might as well just do whatever came to mind.  It worked!  I can't say that I accomplished the things Michelle was trying to teach us, but I did end up with a piece that I'm happy with. After working on this piece I found myself with a big desire for more stencils!

My '"far away place" was some sort of mix of Gothic European elements and Indian elements.  Two styles I love.  This piece is 12.5" x 36" in real life.  I blurred out the face because I don't own the photo.  I have no intention of selling this piece or submitting it to an art show, and I don't intend to profit from it in any way. But I am really happy with it and wanted to show it on my blog.  There is a lot of Portfolio oil pastel on this piece, along with acrylic paint and collage.  The acrylic paint goes over the pastel very well, but it scrapes back off the pastel quite easily too.  The substrate is red rosin paper, and many of the collage elements are on plain old photo copy paper.  Considering the delicate (and non-archival) nature of the materials, I felt all these pieces needed to be sealed really well.  The Portfolio's are water soluble so I couldn't brush on a liquid varnish.  I decided to use a Golden spray varnish which worked very well.  I will also frame these pieces so they look nice hanging in my house and are protected from the elements.

When I got back to work on the piece above, I was pretty sure it was going to end up in the trash.  But I persevered and ended up with a piece I like so much that I am going to include it in an exhibition I'll be showing in at the end of the year.  Lynne 's approach to things really helped me here.  She said that if something she tried worked well she would usually do more of it.  So I tried to both COMMIT and DO MORE.  Good advice!  Now I'm getting back to work on the pieces I started in the workshop I took with Sue Benner in April.  Sue had so many great ideas for abstraction that I really want to try.  I'm taking at least one more workshop this fall so I figure all of my work for 2013 is going to come about as a result of multiple workshops.  I've been feeling kind of blocked for a long time now, but these workshops are giving me direction and opportunities to learn and to practice.  I have a lot of hang ups about making art, but my one great "skill" is my ability to follow through and to not stop trying.  Making art is a huge leap of faith and I work hard at maintaining my faith that doing the work will lead to better art.  I'll take care of the quantity, and the creative source will take care of the quality.

Michelle Ward does these great Evidence Pages that she often shows on her blog.  She provided us with little labels for us to use in making our own evidence pages from the workshop.  I'm keeping a scrapbook of things I've done and so I decided to make my own evidence pages, including a folder that I could keep mementos of my trip to Connecticut and the workshop.  Here are a few pictures of my evidence pages.

Award of Excellence!!

Graffiti Lilies

I entered this piece in the 2013 Inspire show being put on by 40W Arts here in Lakewood, CO.  This year the shows theme is recycled art or vivid color.  Happily for me I had this piece in the works.  This is made on recycled inter office envelopes, with newspaper, paint, tissue paper, various pens and grease pencils.  I mounted the collage onto a black fabric background that I pieced out of fragments of cloth leftover from some other project.  The background is quilted and trimmed with black satin ribbon.  I think it fits both of the shows themes!  Much to my delight I was asked if they could use my artwork for some of their outreach efforts and I won an Award of Excellence at the show.  My very first award!

Here is the thing about this piece..... it came together rather intuitively.  This never happens to me and finding that inner voice has been such a struggle.  I just wanted to play around with techniques one day so I started layering paint and newspaper on these envelopes and then tearing the paper back off to reveal layers.  When I decided I was done I had a background that I really liked.  But as usual I had no idea what to do with it.  It hung around on my design wall for several weeks while this teeny tiny little voice in my head kept whispering " add lilies made of more inter office envelopes".  I resisted.  Resistance is my specialty.  But I kept getting the same message and eventually I caved in and went for it.  This is the first pieces I've made that my husband genuinely likes.  The first piece that won an award.  Hmmmm.  I'm guessing that that intuitive voice in my head knows what its doing.  Now I just need to learn to hear it better.

Far Away Places Workshop

In May I flew to Connecticut to take the Far Away Places workshop with Michelle Ward and Lynne Perrella .  These two amazing women have been my mixed media heroes for years.  It's hard to believe that in a very short span of time I got to take workshops with the artists whose work I most admire.  Far Away Places was about imagining some distant exotic locale that spoke to your heart.  Some people chose Russia, Morocco, or a fairy garden.  I wanted to play with elements of Gothic European architecture and Indian opulence.  Michelle was our instructor on the first day and we worked on these accordion books.  Let me just say that Michelle is a stenciling wizard!  She also designs amazing stencils and she brought a huge pile of them and let us use them.  Another wonderful artist, Margaret Applin , was also taking the class and she let me use some of her great stencil designs as well.  Michelle's demonstrations and instructions were like a light bulb going off in my head.  Until I got to work, at which point the light promptly blew out.  Sigh.  I get in my own way so badly.  However, I was by no means the only person who did not get their project anywhere near finished.  I love the colors and shapes I've got going here, but I'm kind of stuck on what to do next.  Here are some better views of the front and back panels:

On Saturday Lynne took over teaching and we worked on these long banners.  I ended up working vertically, so maybe mine is more of a panel.  Lynne showed us how she uses Portfolio Oil Pastels to color faces and other elements in her work.  Both Lynne and Michelle make great use of stencils and masks.  It was so fascinating to watch Lynne demonstrate.  Here is my banner as it looked at the end of the day:

Getting this home in a suitcase without getting is creased was a challenge!  One of the things I love about Lynne's work is the rich color and busy-ness.  There is so much going on in her work.  Endless small details to peruse.  After taking this class I can look at her work and understand better how some of it was accomplished.

On Sunday Michelle and Lynne taught together.  We started by making a grid, either by collaging pager or painting, and then added other collage elements on top.

The grid part was easy.  I excel at creating backgrounds.  I just get stuck after that, LOL!  At some point I will add a headdress to the woman and details in their clothing.  Below is a photo of my work space at the workshop:

As with the Sue Benner workshop, one of the best parts of this experience was meeting the other participants.  I had so many lovely conversations with total strangers.  I dug deep down into myself and dragged my inner extrovert out into the light and it was so worth it.  This was my first time going to the east coast and most of the other women there were from nearby areas.  A couple of lovely ladies came from Toronto.  Something about taking a workshop draws a connection between everyone for a few days.  Its a wonderful feeling.

Three Page Journal Spread

My blog has been languishing again.  Lately it seems like there isn't enough time in the day to make art, much less to blog about it.  I've got a four day weekend going right now and I'm going to get about one day in the studio.  I made this journal spread a couple of weeks ago and thought I'd finally post the photo.  This was an attempt at making the left hand page, which I had painted with some leftover pink paint, match with the right hand page, which had some collaged tissue paper that had been sprayed with Glimmer Mist and some blue and pink watercolor.  I've been doing a lot of work with Medieval elements lately.  This whole spread incorporates leftover bits and pieces from other projects.  The Medieval tile design on the left is a t-shirt transfer and the woman on the right is from images I took from a book of hours when I was collaging the front of another art journal.  Lots of small bits of paper collaged down in between too!  Nothing fancy happening here but I like the result!

Quirky Little Collages

These two small collages (6"x6") were inspired by The Collage Workbook  by Randel Plowman.  I've spent the last several weeks just trying new things, playing with techniques and trying my hand at the styles I admire.  I'm not really sure if I'm learning anything, and sometimes I'm not even sure I'm having fun.  This sort of random practice can be difficult.  I guess I'm learning that I'm kind of a project oriented sort of girl!  At any rate, these two little collages were fun and I enjoy the quirky implications of them.  One thing that Randel Plowman mentions in his book is the concept of background, foreground, and middle ground.  Now I've heard this idea before but somehow it has never stuck.  I would never really have thought of the layers Mr. Plowman uses in his collages in this way if he hadn't spelled it out.  At this point I haven't really tried to work with this concept but it is rattling around in my brain and will hopefully be of use to me.

Learning this way is like giving birth to a huge litter of puppies!  Painful pushing and squeezing and then POP! suddenly you have a small squishy, wiggly bundle and you don't even know what you've got until you clean it off and really look at it.  A few days later all the "puppies" are running around in different directions and are impossible to keep track of or control.  Cute, but maddening!

I don't know why people don't consider being and artist a "real" job.  Its certainly hard enough!  LOL!

Journal Pages With Printed Paper

This journal page began with an ink blot.  Okay, that actually traveled over here when I was experimenting on another page.  I don't let it bother me.  These pages had been gessoed at some earlier time and scribbled into with a stylus.  Ignoring the ink blot, I began by making a grid of warm, analogous colors with my Inktense blocks and a water brush.  Inktense blocks seem to work better on a gessoed page, but nonetheless, this came out looking horrible.  Out came the red paint and glazing medium and I covered both pages.  When that was almost dry I spritzed the pages with a little water, let it sit a minute, and then blotted with a paper towel.  This is so easy and I just love the effect.  Then I cut up one of the papers I had made while playing with my Gelli Arts printing plate and collaged the green elements down.  Deli paper works so well for collage!  After that I made a stamp using cut up pieces of fun foam that I glued to a stiff cardboard base with gel medium.  I used gold acrylic paint with the stamp.  I'm not sure this is done, but since I haven't decided what to do next I thought I'd at least post this much as an example of using my printing experiments for collage in my art journal.

Printing with my Gelli Arts printing plate

I recently bought myself a Gelli Arts printing plate.  For some reason I no longer recall I felt I really had to have one of these things.  They are fun to play with!  The trouble is that it is hard to stop.  I had a huge stack of prints in just an hour!  I don't think any of them are really stellar and I can see I need more practice, but it was fun.  I used deli paper for experimenting.  Deli paper is great for collage, which is good since none of these are a great work of art in an of themselves.  They can be cut up and used in art journaling or something.  I also made a lot of painty pages from cleaning off my brayer and paintbrushes.  I used those for some stacked journaling.  Here are a few of the papers I like.  

I purchased the Martha Stewart texturing kit at Home Depot.  It has lots of combs etc. for making marks.

Bubble wrap was one of my favorite mark making tools.  I used the painty bubble wrap to stamp onto other papers too.

Playing with stacked journaling using the end of a paintbrush.

I was trying something I thought was clever and ended up with a very wet and faint print so I scribbled over the top with a squeeze bottle of black paint.

Here I am playing with drawing fluid and expressive lines with the squeeze bottle of paint.  The painted paper is one I used to wipe excess paint on while playing with the printing plate.

Another page of "clean up paper" with some stacked journaling on top.  That darned squeeze bottle blobs up a lot.  Got to work on that.

Another clean up page with stacked journaling in colors with a brush. 

While printing with the plate I would stamp my painty bubble wrap off onto more paper.  I didn't clean it between colors and it left wonderful mixed dots.  You can't really tell in the picture that some of this paint is metallic and really shines!

Another wet sloppy print with stacked journaling, this time with a  flat brush.

I was trying stacked journaling on the printing plate and just kept printing all over these pages.  It was blobby and messy but I think the marks are evocative

Aqua, Violet & Olive Journal Page

When I am working on art projects I often have paint or ink that I don't want to waste so I will open my art journal and use it on a random page.  This affords me the opportunity to see if I can marry the facing pages to one another.  Sometimes it doesn't work out, but often I can find a way to carry the colors or themes across both pages.  Reading Randel Plowman 's book "The Collage Workbook" inspired me to try making a word collage.  How wonderful to find that I had words in my collection in the colors from the facing page.  This color scheme happened by accident.  The right hand page had been gessoed, and one day I added the aqua/turquoise paint.  Another day I was testing out two handmade stamps I had created with fun foam, so I stamped the violet paint onto the page.  Yet another day I was using my new Adirondack inks on something and "stamped" the wet stencil onto the same page.  All very random, and yet it ended up yielding a color combo I probably would not have thought of but I really like. 

I often wonder what my art journal is for.  I play around, try new materials or techniques etc. but when I am working in the journal I often wonder if I am wasting my time.  I make "pretty" pictures and imitate other artists.  I'd like to see my journal leading me toward the development of bigger more finished/polished art pieces, but so far that hasn't happened.  I suppose at the moment my art journal just serves as a place to work in that creative mental state.  So much about practicing art is a matter of faith.  I have to have faith that the practice moments, the moments that don't lead to a fully formed art project, are just as valid and important as working on something more concrete.  When you are an artist that works full time at a non creative day job, it is easy to feel like your precious and rare art time is wasted if you are not working on a "real" project.  Just screwing around feels like wasted time.  I have to have faith that all this screwing around is teaching me something even if I don't realize that I am learning. 

Fall Arts Harvest Exhibition

40 West Arts is hosting another art exhibition as a part of Denver Arts Week and I will have 3 pieces in the show! I also served on the jury for this exhibition which was an interesting experience. The three pieces that I entered are rather different from my usual work, but are representative of some of the other work I am interested in doing.

Still Not Good Enough - 2012

Sometime back I posted these pieces in order to discuss the fact that I had no idea how to finish them. I simply cannot afford to frame my artwork and I don't even know if they are worth putting the money into if I could afford it. But I like them and really wanted them to get out into the world. Eventually I decided on mounting them to painted hardboard and stapling clear vinyl over the top. They have a sort of grungy graffiti look to them and I felt that the hardboard, vinyl, and staples added to the look. There is also something narrative going on there with the feminist issues and the vinyl..... I'll leave that to your imagination and personal interpretation. These photos don't show the vinyl. I knew it would be shiny and hard to photograph so I took the pictures before adding it.

How Can I Serve You? - 2012

 These pieces were created with scraped acrylic paint on heavy bristol paper. I scraped, splattered, mono printed, stenciled, spray painted, etc. Happy painting abandon! Then I tore up a newspaper and reassembled it as a collage, photocopied the result and started playing with the silhouettes. As a nod to my predilection for using fabric, I included a wee bit of hand dyed cheesecloth. The collages were glued to the hardboard with gloss gel medium. Good thing too! They buckled. Even though I let them dry while weighted with heavy books. It was kind of a mess. There is an artist named Johnathan Talbot who does amazing collage. He uses a technique where he pre coats his collage materials with gloss medium and lets them dry. He then arranges his collage items into place and IRONS them down. I used this technique to place the collage silhouettes. When my pieces ended up buckled I put parchment paper of the top and ironed the heck outta them. It worked! The gel medium I used as glue fused down quite nicely! Phew!

Woman's Depth - 2012

Collage painting

I recently completed this 9"x12" collage painting.  Can you tell who inspired me?  I'm utterly fascinated by

Lynne Perrella's

work.  Could stare at it for hours.  Her work makes me shake.  That shaking feeling is what made me realize that I wanted to be an artist.  Nothing but art makes me feel that way.  It's like being seduced by a new lover.  Back to the painting....  This actually began as an experiment inspired by one of

Jane Davies

techniques where you dip a pipe cleaner in ink and feather it across the page and then scrape various colors of paint over the top with a credit card.  Great idea!  All my attempts looked like crap.  Sigh.  I put the papers away for a while and recently dug them out to see if I had any ideas.  The I took another look at Lynne Perrella's series based on Geoffrey Chaucer's Canterbury Tales and some ideas took off.  Stencil's and tar gel and t-shirt transfer paper, oh my!  It was great fun and I'm really happy with it.